There are several upcoming business models in which it is not the designers that are stars, it’s all about machines and new innovations that steal the client’s attention. This shows the level of digital revolution around the world. Designers have to think beyond emerging technologies to enhance the quality of living and culture, adhering to their codes and regulations.
Louis XIV – In the middle of the 17th century, the king of France, Louis XIV, favoured a very grand style of interior. Furniture was heavy and finishings were fussy. Gilding was everywhere – on doors, furniture, mouldings – and yet more decoration was added with boule marquetry on furniture, (using tortoiseshell and brass) and detailed paintings on ceilings.
Bright and loud colours have their place in a modern or contemporary dining area. Remember the dining room is for enjoying good food and conversation and too many loud colours may be a distraction. The colour red is associated with stimulating the appetite, as such strawberry or tomato, therefore these colours will help you, your family and friends enjoy their food!
Victorian design will be hugely looked on as indulging within an excessive amount of ornament. Art Nouveau style, Anglo-Japanese style, aesthetic movement as well as the Arts and Crafts movement all possess their beginnings within the late Victorian period. Interior design and decoration of the Victorian period will be noted for ornamentation and orderliness. Homes from this era were idealistically neatly separated within rooms, with private and public areas carefully divided. The parlor included the more essential room within the home and this room was a homeowner’s showcase, in which all guests were entertained.
Directoire – The end of the aristocratic regime brought about a departure from any sumptuousness that remained and the period known as the Directoire, when a board of directors ruled France, saw a much simpler and more delicate sense of style. Curvy cabriole legs were replaced by straight, and furniture became angular and severe in shape. Elaborate marquetry was replaced by plain waxed or painted woods and fabrics had simple stripes and delicate florals as decoration, all of which anticipated the Empire style.