Bare rooms were thought to be in bad taste, so each surface had to be filled with items which reflected the homeowner’s aspirations and interests. Dining rooms were the second-most vital rooms within the home. The sideboard most oftentimes was the dining room’s focal point and extremely ornately decorated. A cedar unfinished chest would go well in any one of these rooms.
Louis XV – During the early 18th century Louis XV or more likely, his talented and cultured mistress, Madame de Pompadour, sculpted this heavier style into something considerably more delicate and feminine, introducing the most French of attributes – the curve. From 1723 – 1760 these curves took on a rather frivolous manner of their own resulting in the style called Rococo, where symmetry was lost and nature took over as branches, leaves, icicles and waterfalls were the favoured decorative motifs.
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The final upgrade would be the inclusion of heavy-duty car mats. The workhorse in any vehicle, car mats feature tall outer ridges that contain the nastier, runnier messes that would otherwise soak into the carpeting of your floorboards. They’re available in 1-piece or 2-piece designs and computer-designed for a precision fit, providing maximum coverage without covering up those essential floor controls.
This period saw the introduction of many pieces of furniture that exist in modern homes today – the console table, fauteuils (open armed chairs) and the chaise longue. Today’s love of exuberant wallpapers of Indian and Chinese design were just as up-to-the-minute back then -though commodes were also the height of fashion.
Colour use – After general style, colours are the second most important design factor. The colours of your dining room should match your dining furniture.. If you have a large dark wooden table it is not advisable to have light colours on the wall. Likewise if the rest of your furniture is bright, stay away from dark colours on the wall. In general you will want to avoid mixing too many colours at once in your dining room.